Prizefighter and the Lady, The (1933)
Co-produced and directed by W.S. Van Dyke, with an original story by two time Oscar winner Frances Marion (The Champ (1931)), which was adapted by John Lee Mahin and John Meehan (The Divorcee (1930)), this average boxing film features real heavyweight champion Max Baer with Myrna Loy in the title roles. Ring champs Primo Carnera and Jack Dempsey also appear, as themselves. Walter Huston plays an ex-manager, now a drunk, who discovers Baer’s character as a bouncer in a bar; Vince Barnett plays his trainer. Otto Kruger plays a gangster who's "kept" Loy's character, a singer at his club, in furs and jewels. Robert McWade plays Kruger's trigger man.
Upon discovering Baer, whom he thinks will be the next heavyweight champion, Huston's character sobers up and begins promoting his young, handsome fighter. While they're doing road training, Loy's car crashes nearby such that she's rescued by Baer, who instantly falls for her. Unable to "wash him out of her hair", Loy breaks with Kruger and marries the pugilist. Huston "bans" Loy from Baer’s practice camp for the good of his training, but Baer strays (with various other women) while his winning streak grows to 19 bouts over the course of a year, earning him a shot at the title with Carnera. Loy learns about the cheating, giving Baer one more chance, which he blows. Kruger is only too happy to help Baer get his chance, setting him up for a beating by Carnera, after Loy returns to his lair. The climactic fight includes Dempsey as its referee. The ending is as unbelievable as it is predictable, at least for today's audience, but it must have been "original" at the time, explaining why Marion received a Best Writing Achievement Oscar nomination for this film.
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