Ah, Wilderness! (1935) - full review!
Co-produced & directed by Clarence Brown, with a screenplay by married couple Frances Goodrich & Albert Hackett (The Thin Man (1934)) based on Eugene O'Neill’s play, this above average comedy drama about family life just after the turn of the 20th century features a terrific cast that includes Wallace Beery, Lionel Barrymore, Aline MacMahon, Eric Linden, Cecilia Parker, Spring Byington, Mickey Rooney, Charley Grapewin, Frank Albertson, Edward Nugent, and Bonita Granville (among others). James Donlan, Tom Dugan, Eily Malyon, and Jed Prouty (among others) also appear, uncredited. Barrymore is the patriarch of the family, he runs the newspaper in small town America, 1906; Byington is his wife. Beery plays Byington’s live-in brother who can't find a steady job per his drinking, MacMahon plays the family's cook (?) who maintains an "on again, off again" relationship with him. Albertson plays the oldest, college aged son, whose pal is played by Nugent. Rooney plays the youngest son who's younger than Mickey's 14 years, Granville is the only daughter. Linden plays the middle son, who's just graduated from high school along with his girlfriend Parker; Grapewin plays Parker's father. It's a coming of age story primarily focused on Linden's character, whose views on life are more liberal than those of his conservative family and in their community.
Richard Miller (Linden) reads books that were considered racy, scandalous, or even subversive at the time: Oscar Wilde, George Bernard Shaw, Swinburne's poetry, and political tomes about the oppressed working man. This makes him somewhat out of place in the idyllic community in which he lives where his father Nat (Barrymore) runs the local paper. Richard's mother Essie (Byington) has asked Nat to take their son's subversive reading materials away from him. Regardless, Richard is the valedictorian of his class, and he's told his girlfriend Muriel McComber that he's going to use his high school graduation speech to expose the capitalist ways he deems are wrong. Fortunately for Richard, Nat is on stage to hand out the diplomas and, after reading his son's speech beforehand, interrupts his son just in time, to keep him from making a fool of himself and upsetting virtually everyone else there. Richard's odd ways have already alienated Muriel's father (Grapewin), who forces his daughter to write a "Dear John" letter to her boyfriend after he reads the corruptive poems Richard had written her. He also cancels his ad in Nat's paper, which means a considerable financial loss for the Millers.
Nat's ne'er do well brother Sid (Beery), who had left their town where everyone already knows him (e.g. his drinking & reputation) to take a job in another town, returns in time for the town's annual Fourth of July celebration. Tommy (Rooney), and the rest of the town's preteen boys, have been setting off firecrackers all day. Sid keeps the fact that he's lost his job, for presumably the same reasons, a secret by hiding his luggage in the front bushes, at least temporarily. He enters the Miller home to charm Lily Davis (MacMahon), who'd promise to finally marry him if he'd sober up and hold a respectable job. But after an evening of celebrating with Nat, Sid returns drunk on beer to join the Millers for dinner. Malyon plays the Miller's maid Nora. Nat says that Sid will be staying, that he's offered his brother a job on his paper. Unfortunately, Granville, playing the Miller's only daughter Mildred, isn't given much to do in this film besides laugh at Sid's drunkenness or rib her brothers, especially Richard.
After receiving Muriel's letter, Richard accepts Wint’s invitation to go out on the town with him and a couple of ‘fast’ girls. Wint (Nugent) had come by to go out with Richard's older brother Art (Albertson), but Art had another date playing tennis instead. Richard then finds himself in a hotel bar with a much older floozie named Belle (Helen Flint), who with the help of the bartender (Dugan) and encouragement from another patron (Donlan), gets him drunk and "extorts" some money from him. Richard returns home drunk, much to Mildred's delight and their parents dismay. Later, Belle gives a note describing her evening with Richard to Nat's office mate (Prouty), which leads to father & son conversation about "the birds and the bees" after Richard had insisted that nothing had happened the woman. Belle's motivation had been to get the bar's license revoked for serving a minor, after she had been unceremoniously thrown out of the place. In the end, Richard makes up with Muriel whose father has decided (for some reason) that he's not such a bad kid after all.
Most Recent Additions:
Casanova Brown (1944) - full review!
I Want You (1951) - full review!
A Bill of Divorcement (1932) - full review!
Patterns (1956) - full review!
Last Train from Gun Hill (1959) - full review!
Gunfight at the O.K. Corral (1957) - full review!
Hour of the Gun (1967) - full review!
To Sir, with Love (1967) - full review!
You'll Never Get Rich (1941) - full review!
The Actress (1953) - full review!
Mannequin (1937) - full review!
All My Sons (1948) - full review!
Mourning Becomes Electra (1947) - full review!
State Fair (1945) - full review!
Billy Budd (1962) - full review!
Captain Horatio Hornblower R.N. (1951) - full review!
The Bachelor Party (1957) - full review!
The Glenn Miller Story (1954) - full review!
The Southerner (1945) - full review!
The Russians Are Coming the Russians Are Coming (1966)
Never on Sunday (1960) - full review!
The Arrangement (1969) - full review!
A Summer Place (1959) - full review!
Miracle in the Rain (1956) - full review!
Love Letters (1945) - full review!
The Story of Dr. Wassell (1944) - full review!
The Absent Minded Professor (1961)
20000 Leagues Under the Sea (1954)
Come and Get It (1936) - full review!
The Prize (1963) - full review!
This Is the Army (1943) - full review!
Home from the Hill (1960) - full review!
Hangmen Also Die (1943) - full review!
The Shop on Main Street (1965) - full review!
The Good Guys and the Bad Guys (1969) - full review!
A Gathering of Eagles (1963) - full review!
This Happy Breed (1944) - full review!
Red-Headed Woman (1932) - full review!
Waterloo Bridge (1931) - full review!
Baby Face (1933) - full review!
Titanic (1943) - full review!
Cover Girl (1944) - full review!
Saratoga Trunk (1945) - full review!
Murder on the Orient Express (1974)
The Young Philadelphians (1959) - full review!
Reflections in a Golden Eye (1967)
Pocket Money (1972) - full review!
Week-End at the Waldorf (1945)
Judge Priest (1934) - full review!
Broadway Melody of 1936 (1935) - full review!
The Private Life of Sherlock Holmes (1970)
Angel Face (1952) - full review!
The Wreck of the Mary Deare (1959) - full review!
Dallas (1950) - full review!
Springfield Rifle (1952) - full review!
Gaslight (1940) - full review!
The Gazebo (1959) - full review!
Passage to Marseille (1944) - full review!
The House on 56th Street (1933) - full review!
Annie Get Your Gun (1950) - full review!
Hush... Hush, Sweet Charlotte (1964)
Lonelyhearts (1958) - full review!
Good News (1947) - full review!
Wild Rovers (1971) - full review!
Lovers and Other Strangers (1970) - full review!
Topper Returns (1941) - full review!
[Home] [Hitchcock] [Oscar's Best] [Essays] [Essential Films] [TCM Picks] [Obscure Films] [Links] [Other Reviews] [Academy Awards] [Silent Films] [Movie Index]
