Hasty Heart, The (1949) - full review!
Directed by Vincent Sherman, with a screenplay by Ranald MacDougall (Mildred Pierce (1945)) that was based on the play by John Patrick (The Strange Love of Martha Ivers (1946)), this slightly above average drama features the Academy Award nominated Best Actor performance by Richard Todd (his only) and what has to be one of best performances ever given by actor Ronald Reagan as well. Patricia Neal, in only her third film (and second with Reagan), exhibits the talent that would later earn her a Best Actress Oscar (out of two such nominations). The rest of the cast is solid, if unrecognizable and forgettable except for Orlando Martins, whose role is unfortunately so necessarily one dimensional that it could be considered racist. Several nationalist prejudices (e.g. stereotypes) are discussed and/or exploited, though the fact that they ring true and/or make this story more genuine will be lost on those who tend to look for harm instead of accepting or learning from the very real cultural differences which exist.
Todd plays a disagreeable Scot who was injured during the last days of World War II in Burma. Though he's been patched up, he's also dying from a pending kidney failure, a fact that's kept from him but shared with the other soldiers (like Yank, Reagan) in the recovery ward, and their compassionate nurse (Neal). The hospital's commanding officer (Anthony Nicholls as Lieutenant Colonel Dunn) and Sister Parker (Neal) ask these others to make friends with this misfit Corporal Lachlan MacLachlan (later nicknamed 'Lachie'; Todd) to make his last days as happy as possible. Howard Crawford plays Tommy, a Brit from London, Ralph Michael plays Kiwi (not Kini?), a bearded New Zealander, and John Sherman plays the Australian dubbed Digger; these non-PC nicknames were ostensibly given to them by the orderly (Alfred Bass), and accepted by the others (without protest, as these were less sensitive times). Martins plays a local native, called Blossom, the only English word Yank has taught him.
Yank has an earned bias against persons from Scotland per his Scottish grandfather, but learned a technique of reciting the books of the Bible (Old Testament) to keep himself in control of his emotions. In fact, he is the one (other than the Sister) who ultimately leads the others to keep trying (e.g. to be more tolerant) to befriend Lachie who, from the very first, will accept no assistance from the others for not wanted to be in any man's debt. He refuses any kindness whatsoever, and gives none himself. Encouraged by the Sister, the others try to be friendly but are quickly frustrated in their efforts by the Scot's belligerent nature. They all but give up, including the Sister, until she learns that it's Lachie’s birthday and the men each give him a piece of what adds up to be his first kilt (the inevitable question and mystery as to what a Scotsman wears under such garb is fodder for a couple humorous scenes). The gift brings tears to the Scot's eyes and prompts his transformation into someone who can't stop talking for more than a week with his newfound friends, even about politics (there are some surreal moments in this movie, when one considers that Reagan went on to become the 40th President of the United States!).
But when talk of going home begins, Lachie finds the others are uncomfortable, and not as accepting of his invitations to come home with him for a visit. Pondering this one evening leads to an intimate moment with the Sister, she even kisses him (of her own free will); he later proposes and she accepts. However, Lt. Col. Dunn then offers him a plane ride home, which doesn't make sense to Lachie until he's told of his fatal condition, and the fact that the others knew of it. Lachie, who'd had a rough childhood as a foundling, returns to his distrusting self and lashes out at his former comrades. But, once again, Yank is responsible for leading the others, and Lachie, to a reconciliation of friends, with help from innocent Blossom. The Scot will not die friendless.
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