Hustler The (1961) – full review!

Produced & directed by Robert Rossen (All the King’s Men (1949)) who co-wrote the screenplay (with Sidney Carroll) which was based on Walter Tevis’s novel this above average drama about pool players pool halls and those that frequent them also includes a dysfunctional romantic relationship between two of its lead characters played by Paul Newman (in the title role) and Piper Laurie. Newman plays a confident “up and comer” Eddie Felson who’s come to town to challenge the great Minnesota Fats played by Jackie Gleason who hasn’t lost to a challenger in 15 years. Eddie’s longtime road partner Charlie Burns (Myron McCormick) provides the stake money but Eddie ignores any offered advice. After the two players get a “feel” for each other’s games their match lasts 25 hours during which both drink plenty of alcohol and Eddie gets up $18000 on the “fat man”. However despite Charlie’s pleadings Eddie refuses to call it a day and proceeds to lose all but a couple of hundred dollars to the old master before passing out. A wily businessman Bert Gordon (George C. Scott) witnessed the whole affair; Bert’s “business” involves setting up these kind of gambling situations for the side betting action playing the percentages and winning large sums of money as the result. All this happens within the film’s first 30 minutes!

Unfortunately except for a couple of other (much) later sequences the exciting action drops off as the story ploddingly becomes introspective delving into Eddie’s character (his motivations etc.) and that of his drunken girlfriend’s Sarah Packard (Laurie) for 100+ more minutes. After his “fall” Eddie meets Sarah pulling her out of her “funk” as their relationship begins & becomes “romantic” (though she’ll later describe it as one of degradation); it continues until Bert is able to pull Eddie out of his (Bert becomes Eddie’s new moneyman). Then eventually after a private party billiards match during which it’s unclear who’s hustling who and a somewhat absurd denouement to the romance (and more) the anticipated rematch between Eddie and Fats is finally played out.

Rossen received the last of his Academy Award nominations: for Best Picture Director and Writing (Screenplay Based on Material from Another Medium); Eugen Schüfftan won his only Oscar (on his only nomination) for his B&W Cinematography and Harry Horner (The Heiress (1949)) & Gene Callahan (his first) also won for their B&W Art Direction-Set Decoration – both perfectly capturing the seedy atmosphere of pool rooms where sunlight is unwelcome. Newman & Laurie (her first) received lead actor nominations; Gleason (his only) & Scott (who refused his recognition) were nominated in the Supporting Actor category. Additional excellent support was provided by Murray Hamilton Michael Constantine (raging bull) Jack LaMotta (a cameo really) and Vincent Gardenia. Real life pool expert Willie Mosconi who performs at least one of the trick shots as a double also appears as an uncredited character in the film.

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